WELCOME
TO THE MOVIE MYSTIC! The films we discuss each month are not “reviewed”
in the traditional sense of that word; rather, we look at metaphysical
messages in films, both current and classic.
LOVE,
ACTUALLY
“THE”
HOLIDAYS. FAMILY. CLOSE FRIENDS. The end of one year and the
beginning of a new one. A time when one’s heart may be at its
most vulnerable — either fully open to the warmth of all the love
that the season can imply, or, perhaps, fully susceptible to the loneliness
that can seem almost unbearable in the longing for family, a significant
other, health, or peace of mind.
Traditionally,
Hollywood has embraced this Season with films that touch the beauty
within the soul of humanity, the best known and most enduring example
being, perhaps, IT’S A WONDERFUL LIFE, which always plays innumerable
times during this season (and in which I get lost each and every time
I happen to flip to it when it’s on - I’m always hooked!!).
Now,
with little fanfare, a new film has arisen which may, in years to come,
take its place as a classic Holiday film - LOVE, ACTUALLY is, ”actually”,
that wonderful, and it couldn’t arrive at a more propitious moment.
Unfortunately, cynicism and the darker side of life have so permeated
the corridors of Hollywood that the so-called “critic’s”
darlings of this Season so far have mostly been films like MYSTIC RIVER,
THE MISSING, and 21 GRAMS, all of which “celebrate” the
darker side of humanity. LOVE, ACTUALLY is the antidote to all that
darkness, and it is a pleasure to be able to luxuriate in its dizzying
and intoxicating recipe for joy, laughter, pathos, and life (and I also
have high hopes for other films coming up like BIG FISH, SOMETHING’S
GOTTA GIVE, and MONA LISA SMILES — but…we’ll see...).
LOVE, ACTUALLY begins with a sequence at Heathrow Airport in London
where the joyful greetings of families and loved ones is observed with
a wonderful voiceover that puts the film itself in early perspective.
Even with all the anger and hate that is blared at us in our every day
world, Writer/Director Richard Curtis (FOUR WEDDINGS AND A FUNERAL,
NOTTING HILL, BRIDGET JONES' DIARY) poignantly observes that, “even
after the planes hit the twin towers”, the messages from people
who were on those planes were not those of hate or revenge but rather
that “love is, actually, all around us.”
The
film itself is a compendium of nine mostly-interlocking stories that
illuminate the myriad faces of love:
- A
newlywed couple and a best man who seems to be in love with one of
the newlyweds himself — but which one?
- A
man who finds his girlfriend in a tryst with his brother travels to
France and finds a new love - even though he speaks only English and
she only Portuguese.
- An
aging rock star (a hilarious Academy Award-worthy performance by Bill
Nighy) attempts a comeback with a lame Christmas song and a beleaguered
manager.
- An
oversexed and wildly exuberant young man decides that he must go to
America to find sex — because the women there will be seduced
by his accent!
- The
new Prime Minister of England (Hugh Grant - who else?) meets someone
on his staff on his first day on the job and becomes enchanted with
her.
- A
widower struggles to help himself and his stepson cope with their
new situation in life - and also help the boy through his first encounter
with love for a schoolmate.
- A
woman is hopelessly in love with a co-worker but torn because of her
devotion to her mentally ill brother.
- A
couple meets while they are
working
as stand-ins on a sexually-themed film and must simulate certain very
intimate acts for the camera and lighting crew of a film while actually
trying to meet each other as human beings.
- A
middle-aged couple faces the careless flirtation of the husband with
a zealous employee while the wife (luminously and poignantly portrayed
by the inestimable Emma Thompson, returning to movies from way too
long an absence) struggles to maintain her dignity (she succeeds!).
On the surface, these many storylines may seem unwieldy but they most
assuredly are not. In fact, they blend together almost seamlessly into
an engrossing, hilarious, often poignant and very human dramatic comedy.
As you might have guessed from the storylines, the film very definitely
is R-rated, for tasteful and often hilarious sexuality. I saw it with
three of my four daughters, all of whom - including my youngest (17)- absolutely
loved it.

There
have been so few films this year that you walk out of feeling happy
and proud to simply be a human being (WHALE RIDER being at the top of
my own list) that LOVE, ACTUALLY comes along in this particular season
as a welcome and refreshing reminder of the beauty of our humanity;
that, above all the strife and challenges that confront us, we have
this unique and endless capacity to consciously immerse ourselves in
the experience of love — for one another, and for ourselves. I believe
that you will walk out of the theater smiling. And I wish you and your
friends the happiest of Holidays.
©
Stephen Simon, 2004
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